Our understanding of the American past has been greatly enriched in recent years by studies which have made use of literary sources. Few works, for example, surpass the challenging insights and interpretations of Henry Nash Smith’s Virgin Land (1950), William R. Taylor’s Cavalier and Yankee (1961), Edmund Wilson’s Patriotic Gore (1962), and Leo Marx’s The Machine in the Garden (1964). Such studies have proved to be so useful that some historians now concede that a review of the contemporary fiction is a fruitful, if not an indispensable, preliminary to the search for historical truth in any period.
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