Music of a “More Exalted Sphere”: The Sonic Cosmology of La Monte Young
Jeremy GrimshawSeven and a half blocks east and five blocks south of the Salt Lake Temple, the 0,0 of the city’s cardinally aligned grid, an inconspicuous gate on the north side of the street opens onto a long path that leads to what was once the backyard of Thomas B. Child. A stonemason by trade and Mormon bishop by calling, Child spent many of his spare moments between 1945 and 1963 designing surreal and sacred sculptures and engraving poignant aphorisms into stone tablets, gradually creating one of the most unique (and, even to most Mormons, unknown) collections of folk art in the United States.
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