[…] as metaphor, myth, or structural device. For example, Roger Zelazny’s Lord of Light (New York: Avon, 19 69), contains characters who have assumed the names and symbolic functions of Hindu gods. Most references to […]
[…] make sense of the scriptural reports which run counter to modern moral sensibilities (Bretall 1972; Bultmann 19 62; Foote and Ball 1926; Hinton 1961; Russell 1957). Critics have divided into two opposing camps. On […]
[…] not His Son to condemn the world; but that the world through Him might be saved. (John 3:16, 17) In the Mormon view of eternal life, grace precedes, accompanies, and completes individual effort and […]
[…] his tongue. The city of Hiroshima below was awake and vibrantly alive now, ringed by its verdant, ever-protective mountains, its gleaming and sinuous rivers, a bright and beckoning blue. The date was August 6, 1945.
[…] including BYU Studies and Otis Nebula and several anthologies including Fire in the Pasture and Dove Song. Former associate poetry editor and submissions editor for Segullah, she now serves on their poetry board. She […]
MARGARET OLSEN HEMMING {[email protected]} is the former editor in chief of Exponent II and the coauthor of The Book of Mormon for the Least of These. She sits on the advisory board for the […]
EmilyW. Jensen {[email protected]} writes, edits, and mothers five children, often simultaneously. For five years, Emily covered the online world of Mormonism for the Deseret News and currently webedits Dialogue: A Journal of Mormon Thought. […]
[…] directly to the heart of struggles within Mormon historiography. Many students of Mormon history continue the wars over Joseph Smith’s trustworthiness; many seek to account for his feats through appeals to environmental influence or […]
[…] their book on Friday, October 14. They will be here from 5:30 to 7:30 p.m., speaking at 6:00, and will answer questions and sign books before and after that time. After Joseph Smith and […]
[…] An Unarmed Woman by John Bennion” Dialogue: A Journal of Mormon Thought, Vol 52 No. 1 (2019): 1 62–164. John Bennion’s work is set in the late 1880s and focuses on plural marriage through the […]